Ionesco

基本解釋

Eugene Ionesco “Ideologies separate us, dreams and anguish bring us together.
尤金艾里斯柯：意識(shí)形態(tài)分離了我們，而夢(mèng)想和痛苦使我們走到了一起。
Samuel Beckett and Eugene Ionesco have written plays for the theater of the absurd.
塞繆爾·貝克特和尤金·艾里斯柯曾為“荒誕派戲劇”寫作劇本。
The subject of this thesis is a theatrical production of the one-act play, The Chairs, written by Eugene Ionesco, particularly focusing on the artistic position of the director.
本論文主要研究含拘束阻尼層三明治圓板之自由振動(dòng)、阻尼行為以及動(dòng)態(tài)穩(wěn)定特性。
Ionesco has his own viewpoint but he does not make personal standpoint;in the play, he also satirizes the conservatives and considers them as foolish as anti-socialists or trend followers.
尤涅斯可有自己的看法，但他并未預(yù)設(shè)立場(chǎng)，在劇中，他同樣譏諷墨守成規(guī)、不知變通的人，認(rèn)為反潮流與同流合污者一樣荒謬；
"I didn't really know how to carve, but as a scriptwriter I had been influenced by the French theater of the absurd, especially Beckett's Waiting for Godot and Ionesco's The Bald Soprano.
但是作為一個(gè)編劇，我曾受到法國(guó)荒誕劇的影響，特別是貝克特的等待歌德和奧斯科的單調(diào)女高音。