aesthetical experience

基本解釋

The fourth chapter studies on the aesthetical experience theory of the dialogism aesthetics.
第四章討論對(duì)話美學(xué)的審美經(jīng)驗(yàn)論。
"Aesthetical experience of phenomenal science"is a masterpiece of Dufrenne who is a grand master on aesthetics of phenomenal science in France.
《審美經(jīng)驗(yàn)現(xiàn)象學(xué)》是法國(guó)現(xiàn)象學(xué)美學(xué)家杜夫海納的杰作，它是現(xiàn)象學(xué)研究方向過渡到審美經(jīng)驗(yàn)的重要成果。
The depth is a crystallized study aspect to the aesthetical experience, and experiences this outcome of mutual communication in the aesthetical reality nowadays.
這一理論的提出，從嶄新的角度來研究主觀和客觀的關(guān)系，在當(dāng)下的審美現(xiàn)實(shí)中來體驗(yàn)這種關(guān)系性的產(chǎn)物。

審美體驗(yàn)
Jacques Derrida argued that works of literature and art should express animated sensibility and pay more attention to obtain aesthetical experience. However, he objected to structuralism’s research on only emphasizing the single structure and pure logical method.
德里達(dá)的解構(gòu)主義理論強(qiáng)調(diào)文學(xué)藝術(shù)作品要表現(xiàn)活生生的感性,注重閱讀過程中的審美體驗(yàn),反對(duì)結(jié)構(gòu)主義單一的結(jié)構(gòu)形式研究,以及其純粹的邏輯方法。
藝術(shù)學(xué)
審美體驗(yàn)
In chapter three, it is to discuss two utter forms of American film about World War II: tableau and sound. The two forms is toward the audience directly and more to arouse their sensory aesthetical experience.
第三章分析了美國(guó)二戰(zhàn)影片的兩大外在審美形式:畫面、聲音,這兩大形式直接面對(duì)觀眾,從而比其它形式更容易激起觀看者的感官審美體驗(yàn)。