Meissonnier

基本解釋

The only known example of metalwork bearing Meissonnier's mark is the gold and lapis lazuli snuffbox of 1728 shown in Plate IV.
米脩納唯一著名的，有著他的標(biāo)志的非銀作品，是一個(gè)在1728年用金和金青石做的鼻菸盒。
Like Meissonnier, Germain came from a family of silversmiths and had considerable ability and training as a designer and modeler.
如同米脩納，熱爾曼來(lái)自一個(gè)銀匠世家，接受很多設(shè)計(jì)師的訓(xùn)練，也有很大的才能。
Because there are no drawings or engravings by Germain to supplement his scarce surviving work, we know less about his style than about Meissonnier's.
因爲(wèi)熱爾曼沒有圖畫或者裝飾能夠支持他少許存畱下來(lái)的作品，所以我們對(duì)於他的了解比對(duì)米脩納的更少。
During the second quarter of the eighteenth century Meissonnier's work was well known, and through engravings, his designs exercised a stylistic influence all over Europe.
十八世紀(jì)的前半葉，米脩納的作品廣爲(wèi)人知，而透過(guò)他的裝飾作品，他的設(shè)計(jì)引起了影響全歐洲的風(fēng)潮。