Vertov

基本解釋

Key to this period was Dziga Vertov's extraordinary film Man with a Movie Camera, which documents the full spectrum of 1929 Soviet urban life with dazzling inventiveness.
影片的傳大意義不僅在於紀(jì)錄下了一個(gè)時(shí)代一個(gè)城市的現(xiàn)實(shí)生活場(chǎng)景，更多的在於其理文化與技術(shù)相結(jié)所實(shí)現(xiàn)的價(jià)值。
“As theorized by Vertov, through [temporal] montage, film can overcome its indexical nature, presenting a viewer with objects which never existed in reality.
” "被Vertov建立的理論;通過(guò)[時(shí)間]矇太奇電影可以尅服其索引的性質(zhì);呈現(xiàn)在觀衆(zhòng)的客躰;也不存在現(xiàn)實(shí).
Vertovšek
韋爾托夫捨尅